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Elvis Film Is The Apocalypse Now Of Musicals, Says Baz Luhrmann

Baz Luhrmann’s upcoming Elvis biopic goals to take the musical style to new heights, with Luhrmann claiming it is the Apocalypse Now of the style.

Filmmaker Baz Luhrmann says that his upcoming Elvis biopic is the Apocalypse Now of musicals. It’s been virtually a decade since Luhrmann delivered a brand new characteristic movie, together with his final launch having been a 3D adaptation of F. Scott Fitzgerald’s basic American novel, The Nice Gatsby, in 2013. The movie received two Oscars and proved as soon as once more that Luhrmann’s potential to take acquainted material and fully reinvent it was nonetheless his strongest asset.

Nonetheless, after the success of Gatsby, Luhrmann determined to show his sights towards the quickly rising streaming TV market. Netflix commissioned him to carry his distinctive appreciation of the musical style to audiences with The Get Down, a TV sequence that centered on youngsters within the South Bronx throughout New York Metropolis’s cultural heyday of the Seventies. Sadly for Luhrmann, the experiment proved a failure and Netflix parted methods with the sequence in 2017 after only one season. Within the years for the reason that demise of The Get Down, Luhrmann has been onerous at work on what some may contemplate the biopic matter of all biopic matters: rock n’ roll legend Elvis Presley. Luhrmann’s Elvis will hit theatres in simply over a month, with up-and-coming actor Austin Butler within the movie’s titular function.

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Anticipation stays excessive for Elvis, with Luhrmann’s repute for flamboyant visuals and busy frames as soon as once more anticipated. However whereas followers are set to move to theatres as quickly as attainable, Luhrmann maintains that the movie isn’t a biopic and that as an alternative, it’s “a three-act cultural opera.” In truth, throughout a latest interview with EW, the 59-year-old filmmaker went even additional, evaluating Elvis to Francis Ford Coppola’s epic 1979 hit Apocalypse Now by stating that it was “the Apocalypse Now of musicals”:

The Apocalypse Now of musicals is what I’ve joked about calling the film — and that is the ’70s interval. It is so sprawling and it is lovely, nevertheless it’s highly effective. It is a three-act pop-cultural opera.


Martin Sheen as Benjamin Willard in Apocalypse Now

Even by Luhrmann’s requirements, it’s a daring assertion. Apocalypse Now is arguably extra well-known for the extraordinarily tough lengths that Coppola went to only to get the movie made than the precise movie is with audiences. On high of all that, the movie’s brutal story of the horrors of warfare units it worlds other than Luhrmann’s Elvis. Nonetheless, Luhrmann’s tongue-in-cheek comparability does make a sure diploma of sense, in that he’s making an attempt to do one thing with the musical style that audiences actually haven’t seen earlier than. That stage of ambition is pure Luhrmann, and whereas he appears to be anticipating large issues from Elvis, like most of his movies, it already feels as if it’s going to both be an incredible hit or a considerable miss.


Most certainly the largest problem that Elvis faces, nonetheless, isn’t revolutionizing the musical. As an alternative, it’s attracting audiences who didn’t develop up listening to Elvis and actually don’t know a lot about him in any respect. It may very well be argued that Luhrmann didn’t make the movie for this demographic and as an alternative is interesting to Elvis followers. However occasions change, as does music, and right this moment Elvis’ recognition may not be sufficient to make the movie a success. Then once more, this is similar filmmaker who made Shakespeare’s Romeo and Juliet right into a blockbuster, that means that something is feasible in relation to Luhrmann’s probabilities.


Subsequent: Why Elvis Thought Clambake Was His Worst Film

Supply: EW

  • Elvis (2022)Launch date: Jun 24, 2022

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